Sign in or register
for additional privileges

Database | Narrative | Archive

Seven interactive essays on digital nonlinear storytelling
edited by Matt Soar & Monika Gagnon

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Bibliography

Bougarel, X., Elissa Helms and Ger Duijzings. The New Bosnian Mosaic: Identities Memories, and Moral Claims in a Post-War Society. Hampshire: Ashgate Publishing, 2007.

Carpenter, Edmund. Oh, What a blow that phantom gave me! New York: Bantam, 1973.

Daly, Kristen. “Cinema 3.” 0: How Digital and Computer Technologies Are Changing Cinema. Phd. Diss. Columbia University. New York: ProQuest/UMI, 2008. (Publication No. 3305212).

Bloch, Maurice E. How We Think They Think: Anthropological Approaches to Cognition, Memory, and Literacy. Boulder: Westview, 1998.

Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge: MIT Press, 2006.

Galloway, Alexander. Keynote Address. Critical Themes in Media Studies. 7th Annual Conference, New School University, New York, April 21, 2007.

Huyssen, Andreas. "Present Pasts: Media, Politics, Amnesia." Public Culture 12, no. 1 (2000): 2138.

Jergovic, Miljenko. Interview for Novi List. Accessed February 10, 2012. http://www.novilist.hr/Kultura/Ostalo/Miljenko-Jergovic-Tudmanizam-nam-se-vratio-crnji-nego-ikad.

de Jesus, Ana Maria. Thanatorama. Accessed March 18, 2012. http://www.thanatorama.com.

Johnson, Steven. Interface Culture. New York: Basic Books, 1999.

Lehdonvirta, Vili. “Virtual Worlds Don’t Exist.” Game Studies: The International Journal of Computer Game Research 10, no. 1, (2010). Accessed February 18, 2012. http://gamestudies.org/1001/articles/lehdonvirta.

Manovich, Lev. The Language of New Media. Cambridge: MIT Press, 2001.

Nelson, T H. “A File Structure for the Complex the Changing and the Indeterminate.” Proceedings of the ACM National Conference, 1965.

Shaw, Jeffrey, and Peter Weibel, eds. Future Cinema : The Cinematic Imaginary After Film. Cambridge: MIT Press, 2003.

Sobchack, Vivian. "The Scene of the Screen: Envisioning Cinematic and Electronic 'Presence.'" In Theories of The New Media, edited by J. T. Caldwell, 137-155. London: The Athlone Press, 2000.

Strauss, Anselm. “A Social World Perspective.” Studies in Symbolic Interaction 1. Edited by N. K. Denzin, 119–128. Greenwich, CT: JAI Press, 1978.

Vesna, Victoria. "Introduction." In Database Aesthetics: Art in the Age of Information Overflow, edited by Victoria Vesna. Minneapolis: University of Minnesota Press, 2008.

Yates, Pamela. Granito. Every Memory Matters. Accessed March 20, 2012. http://skylightpictures.com/films/granito.

Youngblood, Gene. “Cinema and the Code.” Leonardo 2, Supplemental Issue, Computer Art in Context: SIGGRAPH '89 Art Show Catalog (1989): 27–30.

Mediography


Dufresne, David and Philippe Brault. Prison Valley. Accessed March 20, 2012. http://prisonvalley.arte.tv/.

Mehta, Jigar, and Yasmin Elayat. 18 Days in Egypt. Accessed March 20, 2012. http://18daysinegypt.com.

Nowa Ksiazka (New Book). 35mm short. Poland: Directed by Zbigniew Rybczynski. Se-Ma-For, 1975. 

Timecode. DVD. Los Angeles: Directed by Mike Figgis. Sony Pictures, 2000.
Comment on this page
 

Discussion of "Bibliography"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Critical Reflection on Dayton Express: Bosnian Railroads and the Paradox of Integration, page 8 of 8 Path end, continue