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Database | Narrative | Archive

Seven interactive essays on digital nonlinear storytelling
edited by Matt Soar & Monika Gagnon

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About




Matt and Monika are writing an introductory ABOUT paragraph and the links to the following pages will be embedded in it: Table of Contents, Editorial Statement (with Guestbook), Editors & Contributors, Credits & Acknowledgments.


Database | Narrative | Archive:

- Table of Contents

- Editorial Statement (and Guestbook)

- Contributors

- Acknowledgments




Acknowledgements
- draft #2

Our thanks go first to the eight authors of this unique anthology for their generative 'essays,' their ongoing ideas and feedback, and extraordinary patience as we all came to terms with this novel form of scholarly publishing using Scalar, the novel content management system that is the platform for this anthology. Scalar is designed and developed by a team at the University of Southern California and we're particularly grateful for this unique opportunity to work with this innovation in publishing, so our thanks go to Steve Anderson, Tara McPherson, Craig Dietrich and Erik Loyer for their interest and support of our endeavour. As part of the editorial process, the collection was strengthened by the creative and intellectual contributions of individual editors who worked uniquely with one contributor, and so we would like to thank Sheila Schroeder, Kim Sawchuk, and David Clark for their unique editorial support,  as well as  acknowledge Adrian Miles, Will Luers and Chris Hanson (who as well as authoring contributions), generously worked editorially with some authors. Profuse thanks to our research assistants Vanessa Meyer and Alison Naturale, for their enthusiasm and dynamic efforts, as they laboured in the last stretch of editing and production to help us better understand the capabilities of Scalar, and bring our project to its completion. [any other students?]

We'd like to acknowledge the funding that has underwritten the production of this anthology: an initial round of funding from the FQRSC for the Concordia Interactive Narrative Experimentation and Research Group, which together with support from the VPRSG at Concordia, allowed us to stage Database|Narrative|Archive, an international symposium held in Montreal in May 2011. Since then, we have benefited from the support of a SSHRC grant, through which we have continued the development of the Korsakow System, and the assembly, editing and design of this publication.


The Contributors

David Clark is Associate Professor in Intermedia at Nova Scotia College of Art & Design University. He is known for his net.art project, A is for Apple, which has played at Sundance, SIGGRAPH, FCMM, Transmediale in Berlin, and the Museum of Moving Images in New York. It won the top prize at the 2003 SXSW in Austin, Texas and the FILE2002 in Sao Paulo, Brazil. Recent projects include the net.art piece, 88 Constellations for Wittgenstein; the non-linear film Meanwhile; and the feature film Maxwell’s Demon. (Associate Editor)

Sharon Daniel is Professor of Film and Digital Media at University of California, Santa Cruz. Her research involves collaborations with local and on-line communities, which exploit information and communications technologies as new sites for "public art." Daniel’s work has been exhibited internationally at museums, festivals including the Corcoran Biennial, the University of Paris, the Dutch Electronic Arts Festival, Ars Electronica and the Lincoln Center Festival as well as on the Internet. (Author)

Monika Kin Gagnon is Professor of Communication Studies at Concordia University. Gagnon produced the DVD/film project, Charles Gagnon: 4 Films, in collaboration with her late artist father, which explores cultural memory, unfinished films and archives in what she has termed “posthumous cinema.” Her Korsakow film Archiving R69 chronicles working with the unfinished film and associated archives of Charles Gagnon's R69, using still images, archival documents, and short interviews during the making of the DVD with editors, filmmakers and artists. (Author and Anthology Editor)

Chris Hanson is Assistant Professor of English at Syracuse U. He has worked in video game and software development, and assisted with the planning and production of an educational series and content for PBS. Hanson has been a HASTAC Scholar (Humanities, Arts, Science, and Technology Advanced Collaboratory) and his work has appeared in Film Quarterly, Spectator, and Discourse. (Author and Associate Editor)

Amir Husak is a filmmaker and multimedia artist based in Brooklyn, NY and is a part-time faculty member in the Media Studies & Film department at The New School in New York. Husak has worked across a variety of time-based and interactive media, producing interactive works that combine documentary, essay and experimental techniques and is particularly interested in digital media representations of history and their impact on identity politics. His works have been presented at South by Southwest (US), Stadtmuseum Graz (Austria), Sundance Film Festival (US), Sarajevo Film Festival (Bosnia & Herzegovina), P.O.V./PBS (US), Big Sky Documentary Film Festival (US), TV Cultura (Brazil), and Full Frame Film Festival (US). (Author)

Will Luers is Visiting Professor in the Creative Media & Digital Culture program, Washington State U. His current research and artistic interests are in database narratives, remix video and the multimedia book. In 2010, he was awarded the The Vectors-NEH Summer Fellowship to work on his database documentary, The Father Divine Project. In 2005, he won Nantucket Film Festival and Tony Cox Award for Best Screenplay. (Author and Associate Editor)

Brigid Maher is Associate Professor of Film and Media Arts, School of Communication, American University. She is a filmmaker and writer and her scholarly writing focuses on the interplay between traditional film and new media theories. Her award-winning narrative and documentary films have shown in festivals in the U.S. and abroad and her latest documentary, Veiled Voices, focuses on the phenomenon of Muslim women religious leaders in Islam. Veiled Voices has screened on over 150 public television stations and three national networks and has screened in numerous international festivals in the United States and abroad. (Author)

Adrian Miles is Senior Lecturer in New Media and currently the Program Director of the labsome Honours research studio at RMIT, in Melbourne, Australia. Miles’ research interests include hypertext and hypermedia, appropriate pedagogies for new media education, digital poetics, and the use of Deleuze’s cinema philosophy in the context of digital poetics and online interactive video. He is very interested in the relation between hypertext and networked interactive video. (Author and Associate Editor)

Jennifer Proctor is Assistant Professor in Journalism and Screen Studies at U. Michigan- Dearborn. Proctor is a filmmaker and media artist and is the former Managing Director of the Cinematexas Short Film Festival and Austin Cinemaker Co-op. Her work has shown at Aurora Picture Show, Portland Documentary & Experimental Film Fest, MadCat Film Festival, NextFrame, Basement Films, Mini-Cine, Splice This!, FLEXFest, SF Cinematheque, Cinematexas, Ms. Films, Dallas Video Fest, Iowa City Documentary Film Festival, and others. (Author)

Kim Sawchuk is Professor of Communication Studies, Concordia University. She is co-director of the Mobile Media Lab (Montreal/Toronto), co-editor of wi: journal of mobile media (www.wi-not.ca) and former editor of the editor of the Canadian Journal of Communication (www.cjconline). She has extensively published on feminist theories of the body and technology. (Associate Editor)

Suzanne Scott is Mellon Digital Scholarship Fellow at Occidental College. Scott recently completed her Ph.D. at the University of Southern California, and has served for the past two years as a lecturer in the Film + Digital Media Program at the University of California, Santa Cruz. Her research builds on intersections in fan studies, cultural studies, and theories of new media. Scott has served as an editor of the open-access, peer-reviewed online journal Transformative Works and Cultures, has been honored as a HASTAC Scholar. (Author and Associate Editor)

Sheila Schroeder is Associate Professor in the Department of Media, Film & Journalism Studies, University of Denver, and is an award-winning video producer/director/editor and educator. Her current film project, Woodstock West: Build Not Burn tells the story of a 1970 University of Denver protest and explores the impact this “fight the power” moment had on the young people who tried to change the world. (Associate Editor)

Dr. Matt Soar has a critical and applied interest in nonlinear storytelling. He trained in Communication Studies after a career in graphic design; he co-directed the Concordia Interactive Narrative Experimentation & Research Group (CINER-G, 2007-2011) and, currently codirects Adventures in Research Creation (ARC, 2011-2014). [CINER-G was funded by the Quebec government]; a key outcome was the redevelopment and subsequent relaunch of the Korsakow System, a user-friendly software application for creating browser-based database documentaries. Korsakow was invented in 2000 by Berlin-based artist and documentarian Florian Thalhofer, and has been used by Soar and numerous artists and educators worldwide) to make successful nonlinear narratives. His recent film, Ceci N'est Pas Embres (2012) is created in Korsakow, which is also central to ARC, [which received major funding from the federal government of Canada], and, aside from Gagnon, Soar and Thalhofer, includes two eminent Canadian artists as collaborators: Midi Onodera and Phil Hoffman. (Anthology Editor)

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