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Database | Narrative | Archive

Seven interactive essays on digital nonlinear storytelling
edited by Matt Soar & Monika Gagnon

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Amad, Paula. Counter-Archive: Film, the Everyday and Albert Kahn’s Archives de la Planète. New York: Columbia University Press, 2010.

Butler, Connie, ed. (and exhibition curator). Wack! Art and the Feminist Revolution. Los Angeles: Museum of Contemporary Art, 2007.

Cha, Theresa Hak Kyung. Dictée. New York: Tanam Press, 1982.

. Exilée and Temps Morts. Edited by Constance Lewallen. Berkeley: University of California Press, 2009.

Cha, Theresa Hak Kyung, ed. Apparatus
. New York: Tanam Press, 1981.

Chun, Wendy H.K. “The Enduring Ephemeral, or the Future is a Memory” Critical Inquiry 35 (Autumn 2008): 148–171. Video lecture recorded UCLA Design Media Arts department on Feb 21 2008 at

Eileraas, Karina. Between Image and Identity: Transnational Fantasy, Symbolic Fantasy, and Feminist Misrecognition. Lanham, MD: Lexington Books, 2007.

Ernst, Wolfgang. “Archi(ve)textures of Museology.” In Museums and Memory, edited by Susan Crane. Stanford CA: Stanford UP, 2000.

–––––. “Discontinuities: Does the Archive Become Metaphorical in Multi-Media Space?” In New Media, Old Media: A History and Theory Reader, edited by Wendy H.K. Chun and Thomas Keenan,
105–123. New York: Routledge, 2006.

Gagnon, Monika Kin. “Posthumous Cinema: On [Archiving] Charles Gagnon’s R69.” In Charles Gagnon: 4 Films, edited by Monika Kin Gagnon. Montreal: Spectral Films, 2009.

–––––. “Posthumous Cinema and Creative Archiving: Charles Gagnon’s R69 and Joyce Wieland’s Wendy and Joyce.” In Cinephemera, edited by Gerda Cammaer and Zoë Druick. Montreal: McGill Queen’s University Press, forthcoming.

Green, Charles. The Third Hand: Collaboration in Art from Conceptualism to Postmodernism. Minneapolis: University of Minnesota Press, 2001.

Higgins, Dick. “Intermedia [originally authored 1965, 1981].” Leonardo
34.1 (February 2001): 49-54.

Jeon, Joseph Jonghyun. Racial Things, Racial Forms: Objecthood in Avant-garde Asian American Poetry. Iowa City: University of Iowa, 2012.

Kim, Elaine and Norma Alarcon, eds. Writing Self, Writing Nation: Essays on Theresa Hak Kyung Cha’s Dictée. Berkeley: Third Woman Press, 1994.

Kook-Anderson, Grace. Unfinished: White Dust from Mongolia (Thesis Project). San Francisco: California College of the Arts, Curatorial Practice MA Program, 2007.

Lewallen, Constance M., ed. The Dream of the Audience: Theresa Hak Kyung Cha (1951–1982). Berkeley: University of California Berkeley Art Museum and University of California Press, 2001.

Lovink, Geert. “Interview with Wolfgang Ernst: Archive Rumblings.” Accessed at Sept 30 2009:

Lowe, Lisa. Immigrant Acts: On Asian American Cultural Politics. Durham NC: Duke UP, 1996.

Mbembe, Achille. “The Power of the Archive and its Limits.” In Refiguring the Archive, edited by Carolyn Hamilton et. al,
19–26. Boston: Kluwer Academic Publishers, 2002.

Metz, Christian. “The Fiction Film and Its Spectator: A Metapsychological Study.” In Apparatus, edited by Theresa Hak Kyung Cha,
373–409. New York: Tanam Press, 1981.

Rinder, Lawrence. “The Theme of Displacement in the Art of Theresa Hak Kyung Cha and a Catalogue of the Artist’s Oeuvre.” MA Thesis, Hunter College, City University of New York, 1990.

Richard. “MOAC – A Report on Integrating Museum and Archive Access in the Online Archive of California.” D-Lib Magazine vol. 9, no. 1 (January 2003). Accessed January 20 2013:

–––––. “Conceptual and Intermedia Arts Online: The Challenge of Documenting and Presenting Non-traditional Art Collections,” 2007, n.p. Accessed Nov 1 2012:

–––––. "Museum and the Online Archive: Museum Consortia, Digital Library Projects, Standards for Complex Multimedia Objects, and More Fun than a Barrel of Monkeys."
N.d. Accessed Nov 1 2012

–––––. “Access to Art Collections Using Encoded Archival Description and Beyond: The Future of Large-scale Consortia Projects.” N.d. Accessed Sept 30 2009:

Steedman, Carolyn. Dust: The Archive and Cultural History. New Brunswick NJ: Rutgers University Press, 2002.

Takee, Kaori and Yueni Zhong.
"Theresa Hak Kyung Cha." hardboiled 5.2 (2002).

Theresa Hak Kyung Cha Conceptual Art Archive, Berkeley Art Museum, University of California, Berkeley, California, Online Archive of California. Accessed January 8 2013,

Trinh T. Minh-ha. “White Spring.” In The Dream of the Audience: Theresa Hak Kyung Cha (1951–1982), edited by Constance Lewallen, 33–50. Berkeley/Los Angeles: University of California Berkeley Art Museum/University of California Press, 2001.

Van Dijck, José. Mediated Memories in the Digital Age. Stanford: Stanford University Press, 2007.

Yu, Timothy. Race and the Avant-garde: Experimental and Asian American Poetry Since 1965. Stanford, CA: Stanford University Press, 2009.

Zryd, Michael. “History and Ambivalence in Hollis Frampton’s Magellan.” October 109 (Summer 2004): 119–142.


Cha, Theresa Hak Kyung. Passages Paysages (1978). Three-channel black-and-white video installation with sound, 10 mins.

Cha, Theresa Hak Kyung.
Exilée (1980). Super-8 film and video installation,
sound, 50 mins.

Deren, Maya and Marcel Duchamp. Witch's Cradle (1944). YouTube video, 11:47, from the original film, 16mm, black-and-white, silent. Posted by "ShootingMIX" on February 21, 2011,

Gagnon, Charles. R69 [unfinished/inachevé] (1969–). 16mm film, colour, sound, 53 mins.

Gagnon, Monika Kin. Archiving R69 (2011). Interactive database film created in Korsakow software. Hosted at

Warhol, Andy. Excerpts from Batman Dracula (1964). YouTube video, 1:13, from the film Jack Smith and the Destruction of Atlantis (2006). Directed by Mary Jordan. Posted by "Soiled Sinema" on August 12, 2012,

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