Bibliography
Bougarel, X., Elissa Helms and Ger Duijzings. The New Bosnian Mosaic: Identities Memories, and Moral Claims in a Post-War Society. Hampshire: Ashgate Publishing, 2007.
Carpenter, Edmund. Oh, What a blow that phantom gave me! New York: Bantam, 1973.
Daly, Kristen. “Cinema 3.” 0: How Digital and Computer Technologies Are Changing Cinema. Phd. Diss. Columbia University. New York: ProQuest/UMI, 2008. (Publication No. 3305212).
Bloch, Maurice E. How We Think They Think: Anthropological Approaches to Cognition, Memory, and Literacy. Boulder: Westview, 1998.
Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge: MIT Press, 2006.
Galloway, Alexander. Keynote Address. Critical Themes in Media Studies. 7th Annual Conference, New School University, New York, April 21, 2007.
Huyssen, Andreas. "Present Pasts: Media, Politics, Amnesia." Public Culture 12, no. 1 (2000): 21‐38.
Jergovic, Miljenko. Interview for Novi List. Accessed February 10, 2012. http://www.novilist.hr/Kultura/Ostalo/Miljenko-Jergovic-Tudmanizam-nam-se-vratio-crnji-nego-ikad.
de Jesus, Ana Maria. Thanatorama. Accessed March 18, 2012. http://www.thanatorama.com.
Johnson, Steven. Interface Culture. New York: Basic Books, 1999.
Lehdonvirta, Vili. “Virtual Worlds Don’t Exist.” Game Studies: The International Journal of Computer Game Research 10, no. 1, (2010). Accessed February 18, 2012. http://gamestudies.org/1001/articles/lehdonvirta.
Manovich, Lev. The Language of New Media. Cambridge: MIT Press, 2001.
Nelson, T H. “A File Structure for the Complex the Changing and the Indeterminate.” Proceedings of the ACM National Conference, 1965.
Shaw, Jeffrey, and Peter Weibel, eds. Future Cinema : The Cinematic Imaginary After Film. Cambridge: MIT Press, 2003.
Sobchack, Vivian. "The Scene of the Screen: Envisioning Cinematic and Electronic 'Presence.'" In Theories of The New Media, edited by J. T. Caldwell, 137-155. London: The Athlone Press, 2000.
Strauss, Anselm. “A Social World Perspective.” Studies in Symbolic Interaction 1. Edited by N. K. Denzin, 119–128. Greenwich, CT: JAI Press, 1978.
Vesna, Victoria. "Introduction." In Database Aesthetics: Art in the Age of Information Overflow, edited by Victoria Vesna. Minneapolis: University of Minnesota Press, 2008.
Yates, Pamela. Granito. Every Memory Matters. Accessed March 20, 2012. http://skylightpictures.com/films/granito.
Youngblood, Gene. “Cinema and the Code.” Leonardo 2, Supplemental Issue, Computer Art in Context: SIGGRAPH '89 Art Show Catalog (1989): 27–30.
Dufresne, David and Philippe Brault. Prison Valley. Accessed March 20, 2012. http://prisonvalley.arte.tv/.
Mehta, Jigar, and Yasmin Elayat. 18 Days in Egypt. Accessed March 20, 2012. http://18daysinegypt.com.
Nowa Ksiazka (New Book). 35mm short. Poland: Directed by Zbigniew Rybczynski. Se-Ma-For, 1975.
Timecode. DVD. Los Angeles: Directed by Mike Figgis. Sony Pictures, 2000.
Carpenter, Edmund. Oh, What a blow that phantom gave me! New York: Bantam, 1973.
Daly, Kristen. “Cinema 3.” 0: How Digital and Computer Technologies Are Changing Cinema. Phd. Diss. Columbia University. New York: ProQuest/UMI, 2008. (Publication No. 3305212).
Bloch, Maurice E. How We Think They Think: Anthropological Approaches to Cognition, Memory, and Literacy. Boulder: Westview, 1998.
Friedberg, Anne. The Virtual Window: From Alberti to Microsoft. Cambridge: MIT Press, 2006.
Galloway, Alexander. Keynote Address. Critical Themes in Media Studies. 7th Annual Conference, New School University, New York, April 21, 2007.
Huyssen, Andreas. "Present Pasts: Media, Politics, Amnesia." Public Culture 12, no. 1 (2000): 21‐38.
Jergovic, Miljenko. Interview for Novi List. Accessed February 10, 2012. http://www.novilist.hr/Kultura/Ostalo/Miljenko-Jergovic-Tudmanizam-nam-se-vratio-crnji-nego-ikad.
de Jesus, Ana Maria. Thanatorama. Accessed March 18, 2012. http://www.thanatorama.com.
Johnson, Steven. Interface Culture. New York: Basic Books, 1999.
Lehdonvirta, Vili. “Virtual Worlds Don’t Exist.” Game Studies: The International Journal of Computer Game Research 10, no. 1, (2010). Accessed February 18, 2012. http://gamestudies.org/1001/articles/lehdonvirta.
Manovich, Lev. The Language of New Media. Cambridge: MIT Press, 2001.
Nelson, T H. “A File Structure for the Complex the Changing and the Indeterminate.” Proceedings of the ACM National Conference, 1965.
Shaw, Jeffrey, and Peter Weibel, eds. Future Cinema : The Cinematic Imaginary After Film. Cambridge: MIT Press, 2003.
Sobchack, Vivian. "The Scene of the Screen: Envisioning Cinematic and Electronic 'Presence.'" In Theories of The New Media, edited by J. T. Caldwell, 137-155. London: The Athlone Press, 2000.
Strauss, Anselm. “A Social World Perspective.” Studies in Symbolic Interaction 1. Edited by N. K. Denzin, 119–128. Greenwich, CT: JAI Press, 1978.
Vesna, Victoria. "Introduction." In Database Aesthetics: Art in the Age of Information Overflow, edited by Victoria Vesna. Minneapolis: University of Minnesota Press, 2008.
Yates, Pamela. Granito. Every Memory Matters. Accessed March 20, 2012. http://skylightpictures.com/films/granito.
Youngblood, Gene. “Cinema and the Code.” Leonardo 2, Supplemental Issue, Computer Art in Context: SIGGRAPH '89 Art Show Catalog (1989): 27–30.
Mediography
Dufresne, David and Philippe Brault. Prison Valley. Accessed March 20, 2012. http://prisonvalley.arte.tv/.
Mehta, Jigar, and Yasmin Elayat. 18 Days in Egypt. Accessed March 20, 2012. http://18daysinegypt.com.
Nowa Ksiazka (New Book). 35mm short. Poland: Directed by Zbigniew Rybczynski. Se-Ma-For, 1975.
Timecode. DVD. Los Angeles: Directed by Mike Figgis. Sony Pictures, 2000.
| Previous page on path | Critical Reflection on Dayton Express: Bosnian Railroads and the Paradox of Integration, page 8 of 8 | Path end, continue |
Discussion of "Bibliography"
Add your voice to this discussion.
Checking your signed in status ...